Corel painter 11 portrait
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Brush Hints are extremely welcome, providing an explanation for a control as you hover over it. In particular, the brushes in Dynamic Speckle category are among the most impressive brushes for natural media effects.Ī revamped interface is listed among the new features. Various other new brush types combine particle technology with more conventional Painter features such as bristle thickness. The discrete cylindrical blocks are a little disappointing, though – I'd have preferred a smoother response to the input ^ Assigning the audio input to size and painting a straight line produces something akin to an audio waveform. Combining particle brushes with Audio Expression produces some richly dynamic and expressive brushes that are a real pleasure to use. Here, they can produce sparks and explosions, and also come in handy for fur effects and other rich, organic textures.
#Corel painter 11 portrait pro
They have more in common with particle generators used to create smoke and fire effects in animation software such as Hitfilm Pro than the bristles in Painter's other brush types. These use multiple points – or particles – that move in complex ways as they apply colour to the canvas. Some of these brushes are disappointing but we really liked the four that also employed the particle feature introduced in Painter 2015. There's an Audio Expression category to show off this new feature. The 362 others are organised into 27 categories such as Artists Oils, Markers, Liquid Ink and Watercolour. There are 800 in total, including 131 that are new in this version and 438 legacy brushes that are hidden from view but remain available for backwards compatibility. With so much editing depth, it's a relief to find a well organised collection of brush presets. With Opacity mapped to pen pressure and brush size mapped to the audio input, I was able to take precise control over brush strokes. Even so, making noises into a headset microphone while painting added a welcome extra level of control. It's also disappointing that there's no Smoothness control – the tracked audio volume jumps from one value to the next at a low sample rate.
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I'm not convinced by Corel's suggestions that this channels the emotion of music into an artwork. ^ These pulsating streaks of colour were created by controlling particle brushes with an audio input This can be mapped to a wide range of parameters including size, opacity, grain, angle and colour variation. It uses either an audio input, such as a microphone, or the system audio – most likely some music – and turns the volume envelope into a controller.
#Corel painter 11 portrait update
This latest update introduces a new input type called Audio Expression. I was able to resurrect an old Wacom Graphire4 graphics tablet, which did the job nicely. Corel told me that it has worked closely with Microsoft to ensure that Surface and Painter work well together. Pressure-sensitive touchscreens are few and far between unless you want to splash out on one of Wacom's high-end Cintiq displays, but Wacom's Intuos drawing tablets and Microsoft's Surface Pen for Surface 3 and Surface Pro 3 are other available options.
#Corel painter 11 portrait plus
There are jitter settings to randomise parameters, plus the ability to vary parameters according the speed or direction of brush strokes or the pressure of the input.Ĭorel Painter needs to be used with a pressure-sensitive input device for best results, as the ability to respond to pen pressure breathes life into brush strokes.
![corel painter 11 portrait corel painter 11 portrait](https://cdn.mos.cms.futurecdn.net/Pc9D2saxwzesGHpbtaxwCf.jpg)
Delving into the 40 brush control panels reveals hundreds more options such as bristle rigidity, brush wetness, water viscosity and evaporation rate. The Property Bar across the top handles the basics, including size, opacity and a couple of others depending on the selected brush. ^ The Impasto and Liquid Ink brush categories combine particles with other painting technologies to create rich dynamic textures